ace awards

🚨Contest Alert🚨: Be our Valentine and come to the 2019 ACE Awards Gala!

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CPRS Toronto is looking for its Valentine this year and we want to get everyone in the ACE Awards spirit!

One lucky person will win 2 FREE tickets to the 2019 ACE Awards Gala on May 23, 2019. All you have to do is show @CPRSToronto a little Twitter love.

CPRS Toronto’s 2019 ACE Awards Gala will be held at The Carlu for the second year running. The Gala is a professional celebration par excellence. Professional communicators have the opportunity to relax with their friends and clients, enjoy a delicious meal and take an opportunity to review another successful year.

To enter the contest, hop on your Twitter account and head to @CPRSToronto. Find our pinned contest tweet, retweet it, follow @CPRSToronto and tag a friend.
The contest is open until 11:59 p.m. on February 14, 2019, at which point entries will not be accepted and a winner will be chosen.

We’re excited to choose our winner!

 

 

 

CONTEST RULES

1. CONTEST PERIOD: The ACE Awards Gala Valentine Contest (the “Contest”) begins at noon February 13 and ends at 11:59 pm on February 14, 2019 (the “Contest Closing Date”). No purchase necessary.

2. ELIGIBILITY: This Contest is open to all any entrant who complies with the following directives, entering the contest through Twitter.com:
– Shares the original contest Tweet
– Tags a second User
– Follows @CPRSToronto on Twitter

3. HOW TO ENTER: Entrants must comply with the entry requirements included in the original tweet by the Contest Closing Date. Odds of winning depend on the number of eligible entries received by the Contest Closing Date. By entering this Contest, entrants agree to be bound by these Contest Rules and by the decisions of CPRS Torotno, which shall be final on all matters relating to this Contest.

4. PRIZES: There is one (1) prize available to be won consisting of 2 tickets to the 2019 ACE Awards Gala (approximate value: $250). Prize must be accepted as awarded and is not transferrable or exchangeable for cash. CPRS Toronto reserves the right to substitute a Prize, in whole or in part, with a prize of at least equal value in the event of the unavailability, for whatever reason, of the advertised Prize.

5. RANDOM DRAW: A random draw will be held at on February 15, 2019 (the “Draw Date”) from among all eligible entries received as of the Contest Closing Date. The winner will be notified by Twitter at the email address used for their entry. If a selected entrant (i) cannot be reached within twelve (12) hours of the first attempt of contact or declines the Prize, the selected entrant will be disqualified and another entrant will be randomly selected from the remaining eligible entries.

6. PRIZE PICKUP: Prize details will be provided by CPRS Toronto closer to the date of the Gala.

7. GENERAL RULES: All entrants release and forever discharge CPRS Toronto (the “Releasees”) and their officers, directors, employees and volunteers from all claims, demands, damages, actions and causes of action arising or to arise by reason of his/her participation in the Contest and/or the administration of the Contest, including, without limitation, the selection and awarding of the Prizes. The Releasees shall in no way bear any liability whatsoever regarding the Prize. In no event shall the Releasees be liable for any special, incidental, consequential, indirect or punitive damages arising out of or in connection with this Contest and/or the Prize, however arising, including negligence.

8. APPLICABLE LAWS: This Contest is subject to all applicable federal, provincial and municipal law.

#CPRSACE: Edelman’s Sarah McEvoy On The Power Of PR

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“Imagine this. Picture yourself emerging from a dense jungle. In front of you? El Dorado, the lost city of gold.”

This sounds breathtaking, doesn’t it? This scene does have an end, and it was written by Edelman for their award-winning 20-Second Daydreams campaign.

Edelman and the Ontario Association of Optometrists (OAO) took home the ACE Award for 2016’s PR Campaign of the Year. We tapped Edelman Vice President of Corporate Communications Sarah McEvoy to grab insight into the campaign’s creative process and learn how powerful PR can be.

 

  1. What inspired the 20-Second Daydreams campaign?

Our research. When we sat down with the OAO, the optometrists told us their patients most commonly ask about how computers affect their eyes. Then we learned about the 20/20/20 rule – look away from your computer every 20 minutes, for 20 seconds, 20 feet away. We used this rule to anchor the campaign and educate the public about computer vision syndrome, an issue we know they care about.

 

  1. What was the biggest challenge the creative team faced while developing an idea to promote computer vision syndrome?

We know online channels are most effective in reaching Ontarians en masse. Ironically, this meant we needed people to use screens to tell people to look away from their screens. The challenge was crafting a compelling idea based on that irony. Instead of simply sharing our information, we used an audio theatre of the mind concept to create a way for them to enjoy it. “Edutainment” if you will.

 

  1. You launched your campaign and waited for the public to react. What was it like to watch the public respond?

We had speedy results, shares and comments on our five different videos. YouTube and Facebook delivered over 356,000 video views and the OAO’s “Find an Optometrist” locator tool saw clicks increase by 26,000. Seeing these kinds of numbers was gratifying for the team to realize we struck a cord with the public.

 

  1. The OAO said the 20-Second Daydreams campaign was a success.
    Why submit it to the ACE Awards?

We exceeded our objectives within the first couple months. That’s when we realized we really had an interesting story to tell. The traditional model of PR is evolving, where campaigns are far more integrated, combining research creative, earned, digital, paid and search all as part of the PR offering. Since our work fit perfectly into this evolving world of PR, we wanted to share it with our industry colleagues and beyond.

 

  1. Do you think it’s important to recognize work in PR?

Absolutely. PR, and by extension, communications marketing, is a powerful tool that can influence positive change. Working with the OAO to bring attention to an issue that affects nearly all Ontarians continues to be fulfilling. After our campaign, the OAO reported that an additional 198,843 optometry services were provided in 2014/2015 compared to 2013/2014. We were so pleased to have our campaign contribute to that increase.

 

  1. After all of this, do you see yourself taking more trips to the optometrist?

100 per cent. I have three kids at home who all go for comprehensive eye exams and I’m now more passionate than ever about children’s vision. I’m thrilled our campaign sent more people to the optometrist. It’s so rewarding when your work truly makes a difference.

 

Sarah’s PR Tip: Our research was the foundation for our campaign idea. You cannot underestimate the importance of insights and analytics.

To hear more Edelman voices on the 20-Second Daydreams campaign you can click here.

The CPRS Ace Awards Gala will be held on May 2, 2017.

 

By: Carolyn LoConte,
Humber College Postgraduate PR student

Rendezvous with Veritas; Winner of the 2016 ACE Award for Best Use of Special Events

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Rendezvous with Veritas; Winner of the 2016 ACE Award for Best Use of Special Events

Nina Szirmay-Kalos* is the Group Vice President at Veritas Communications. She is an award-winning media relations guru, PR extraordinaire, dedicated leader and a wise mentor. She is an experienced and highly motivated PR practitioner known for pitching ice to a snowman.

Kaur: Hi. I’m Suneet Kaur, a graduate of Public Relations at Seneca College. I’m talking today about the Award-Winning Sensorium by Stella Artois, a PR campaign planned and executed by Veritas Communications. It’s my pleasure to be speaking with Nina Szirmay-Kalos, Group Vice President of Veritas Communications.

Nina, first things first, what inspired you to launch Sensorium with Stella Artois?

Kalos: We’re always looking for new sources of inspiration. We knew our client wanted to be part of the circuit during TIFF but we needed to find a way to do that which was authentic to the brand and disruptive enough to break through the Festival clutter. Nothing is more authentic to the brand than the Stella Artois’ Chalice, so we used that as a jumping off point. The chalice is specifically designed to engage all senses – so we wondered what an event that did the same could look like. Sensorium was born.

Kaur: Like you mentioned, the campaign was timed around TIFF, and there was a lot of festival clutter. Not only did you break through the clutter, but won honours at the Ace Awards. Why do you think the campaign was such a huge success in the end?

Kalos: I think the campaign attracted so much attention and was a huge success because it was grounded in insight. We knew that our target demographic was more motivated by cool experiences than they were by cool things so we took our product and imagined a way for them to interact with it in a unique way. You need to always consider the needs of your market when building out campaigns and then ultimately deliver against those needs.

Kaur: You have your finger on the pulse with key industry trends. What is the most important aspect in PR campaign strategy design?

Kalos: Insights, insights, insights. You need to start from a smart place to end at an effective one!

Kaur: What was the significance, if any, of social media in your campaign?

Kalos: Social was of huge significance – an answer you’ll get 9 times out of 10 from most PR professionals. Our goal with this campaign was ultimately ticket sales and because of that we wanted to cast a wide media net to spread the word. By the time our media preview rolled around, the event was actually sold out, so the purpose of social went from driving ticket sales, to allowing all those who couldn’t actually attend to experience the event in some way. It also helped to drive interest in Sensorium, which Stella Artois has grown into a global adapt and reapply, largely based on the interest generated in Toronto.

Kaur: How did you pitch media and influencers to cover your event? Any tips for Public Relations students?

Kalos: We used the same insight we had for our consumers. We hosted a media preview before the launch of Sensorium, so media was enticed by also getting to experience this unique event. It was a huge draw given that this was all taking place during TIFF and the demands on media were so high – we really need to give them a reason to take notice of us.

Kaur: Did you have an ACE Award on your mind during the campaign, or was it only after that you thought to submit? Why did you think of submitting to the ACE Awards?

Kalos: Winning awards is wonderful. We love to celebrate great, smart partnerships with our clients – because don’t forget that none of what we do would be possible without engaged and collaborative clients.  But that’s not the basis of our campaigns. We work towards objectives that are clearly defined from the outset which rarely but sometimes includes getting industry recognition – but that’s less about the award itself and more about pushing ourselves to do something truly great and impactful.

Kaur: Do you think it’s important to submit to recognition awards like ACE?

Kalos: I think ACE awards serve a wonderful purpose. They inspire the industry community. It’s fantastic to see what your counterparts are doing and what they’re achieving. It motivates us all to find the next big thing.

Kaur: Why do you think VERITAS won last year?

Kalos: I think we were successful in last year’s awards competition because we had an awesome campaign that we presented to the judges in a clear, concise and illustrative way. Sometimes these awards submissions are difficult because you’re trying to bring to life a campaign that literately took months to conceive and execute through 2-3 written pages. Award submissions really are an art and the team takes them seriously.

Kaur: What advice do you have for those PR campaigns being submitted this year?

Kalos: Make sure your submissions are grounded in insights and that your objectives link to tangible results. You can have an interesting campaign, but if it didn’t move the needle for your client, you’ll have real trouble showing business-minded people why their investment in PR was a valuable spend.

 

By Suneet Kaur Lamba, Seneca College

 

*Nina Szirmay-Kalos

https://ca.linkedin.com/in/ninaszirmaykalos

THE ACE AWARDS IS FAST APPROACHING!

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2016 was a doozy! But a lot of hard work was accomplished, so why not reflect on your past achievements and celebrate with an Ace Award!  Display your hard work and strategic success with your peers – a room of industry pros and innovators!

The annual ACE Awards recognize communications excellence in the public relations industry. It’s not too late to apply, though the deadline is fast approaching.

Get started on your entry today and be sure to make that early bird deadline on February 3. Also, don’t forget to mark May 2nd in your busy agendas for this year’s gala!

More information on eligibility, submission requirements and campaign entry categories is available on the CPRS Toronto website.

Important Dates and Deadlines:

2017 Key Dates

  • February 03, 2017 – Early Bird Submission Deadline
  • February 24, 2017 – Full Submission Deadline
  • February 27, 2017 – Leadership Award Submission Deadline
  • May 2, 2017 – ACE Awards Gala

Enter at www.cprstoronto.com!

Questions? e-mail ace@cprstoronto.com

2016 CPRS ACE Award PR Campaign of the Year: Edelman for Ontario Association of Optometrists

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2016 CPRS ACE Award Creative Campaign of the Year: Narrative PR for Scotiabank

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2016 CPRS ACE Award Best in Show Contender: APEX PR for Polysporin

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2016 CPRS ACE Award Best in Show Contender: Narrative PR for Bacardi

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2016 CPRS ACE Award Best in Show Contender: APEX PR for Walmart Canada

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2016 CPRS ACE Award Best in Show Contender: Veritas for Stella Artois

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